Pretentious Yet Pointless
Such forms, quietly formal, create disarmingly intenste feelings. The shapes of Sol Aris's previous works are clearly visible here, but unrecognizably altered. In this image Sol Aris delineates the relationship between the senses of smell and taste. The endless curves are intertwined in a glorious send-up of abstract art. The artist does not use a limited canvas to contain the colours, which in this way float free. The endless curves are enjoined in a tribute to celebration. The artist uses a rectangular grid to restrict the colours, which can by this means stand alone.
The viewer is drawn by the relationship of the spectator of the picture into the world of measure when calculating long periods of time. This image is an expression of one of the central preoccupations of Sol Aris's art, the perception of the gently curved rapidly floating articulations where the essential identity to the piece is a division of space that parallels the divisions and interstices of the mind. The figured figure belies the pattern of unconscious thought.
It is useful to note that the idea behind the Suprematist theory is that it encourages the artist to understand the composition in terms of area, rather than weight. The artist avoids traditional proportions to restrict the colours, which in this way subsist in a world of their own making.