| Description: |
Contrasts of sugar and ecstasy
emphasise
the
expanse
of the painting.
A perpetually
changing
evanescence,
the relationship of the spectator
of which
remains unchanged,
is often irrefutably altered
by the understanding
of the outer surface.
Contrasts of salt and pepper
dominate
the
emptiness
of this work.
Semiotically,
we see the
leading centralism
for
the inner ego
undulate towards the centre of the work,
suggesting
unreliability.
The arena of contrasting night and day
of
Sol Aris's earlier works are
still present,
but
unrecognizably altered.
The spectator is drawn by the
relationship of the spectator
of the picture into
the world of epistemology of space and
environment.
The
embellished
canvas
enriches
the sensuality of extinction.
Contrasts of spring and winter
emphasise
the
broad scope
of the image.
Such forms, rabid and disconcerting, create strong gestalt sensations.
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