Pretentious Yet Pointless

	Pretentious Yet Pointless

Artist:	Aris, Sol
Medium:	Acrylics on virtual canvas
Title:	Randomly generated image 1132991855
Date:	Mon Apr 6 02:57:52 EDT 2026
Description:	The artist does not use a limited canvas to contain the colours, which can by this means subsist in a world of their own doing. The artist uses traditional proportions to define the colours, which thus float free. The strangely twisted rapidly flying elements of Sol Aris's earlier works are still present, but irrefutably altered. A temporally changing evanescence, the scale and openness of which is always constant, is sometimes in a different form by the mere presence of the outer surface. The embellished canvas indicates the eternal dimension and its limitless possibilities. In abstract art, the visual phenomena of the external world are, in themselves, unimportant: the important thing is feeling, as such. The viewer is drawn by the essential identity of the image into the world of deprivations, inhibitions and hardship. This work is integral to one of the central preoccupations of Sol Aris's art, the understanding of the shapes where the relationship of the spectator to the piece is the pattern of unconscious thought. In post-impressionistic art, the visual phenomena of the external world are, in themselves, unimportant: the only worthy thing is feeling, as such. Unexpectedly, we see the leading centralism representing strength undulate towards the centre of the painting, suggesting inconstancy. Such forms, serene and tranquil, create a strong interplay of forces. Such forms, quietly formal, create complex and fascinating interactions with the self. The viewer is drawn by the essential identity of the work into the world of contrast of colour and space. The adorned figure indicates the pattern of unconscious thought. The shapes of Sol Aris's previous works are clearly visible here, but transformed. The endless curves are intertwined in a homage to celebration. In stereometric construction, the visual phenomena of the external world are, in themselves, meaningless: the only worthy thing is feeling, as such. The endless curves are enjoined in a parody of misery. In this work Sol Aris depicts the relationship between dark and light. The shapes in this image, despite appearing disarmingly simple at first glance, create in the mind graceful sinuous curves... The decorated canvas enriches the pattern of unconscious thought. The beribboned ground belies in some sense active rather than simply one of passive comprehension. The viewer is drawn by the relationship of the spectator of the sculpture into the world of contrast of salt and pepper. Contrasts of summer and autumn emphasise the emptiness of the drawing.
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