| Description: |
The
never-ending
curves
are
enjoined
in a tribute to
celebration.
The drawing shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
The painting shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
In post-impressionistic art,
the visual phenomena of the
objective
world are, in themselves, meaningless:
the significant
thing is feeling, as such.
In post-impressionistic art,
the visual phenomena of the
objective
world are, in themselves, unimportant:
the significant
thing is feeling, as such.
Such forms, both serene and tranquil, create strong gestalt sensations.
This image is
representative of
one of the central preoccupations of Sol Aris's art,
the perception of the
emphatically factual experience of
form and space
where the scale and openness to the piece
is
a natural sense
which belongs to the basic senses of
our nature.
In abstract art,
the visual phenomena of the
manifest
world are, in themselves, meaningless:
the significant
thing is feeling, as such.
It is important to understand that the
major feature of constructive colour theory
is that it enables the artist
to define form in terms of
dimensionality,
rather than representational versimilitude.
``This painting exemplifies
the collage-like arrangements by which
surrealist painters
brought together apparently unrelated objects
to create a striking visual poetry,
intended to reflect the pattern of unconscious thought.''
[Tate Gallery Guide, 1990, p.162]
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