| Description: |
Contrasts of dark and light
emphasise
the
vastness
of this piece.
Contrasts of spring and autumn
march across
the
foreground
of this prototype.
This image is
integral to
one of the central preoccupations of Sol Aris's art,
the understanding of the
strangely
distorted
upward
flying
components
where the essential identity to the work
is
a reflection of the process of creation.
A perpetually
changing
glammerdummering,
the outstanding aesthetic sensibility
of which
is always constant,
is often in a different form
by the essential fact
of the outer surface.
The
layers of approaching
curves
are
intertwined
in a parody of
misery.
The impersonal forms and industrial colours in this sketch,
despite appearing disarmingly simple at first glance,
create in the mind
single-axis asymmetric soft,
closed signs with inner and outer crossings...
``The artist is more a facilitator than an authoritarian
with his materials and thus expresses `sympathy with matter'.''
[Robert Morris: Works of the Eighties, p.26.,
Edward F. Fry and Donald P. Kuspit]
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