Pretentious Yet Pointless

	Pretentious Yet Pointless

Artist:	Aris, Sol
Medium:	Acrylics on virtual canvas
Title:	Randomly generated image 1133012322
Date:	Thu Apr 23 21:21:46 EDT 2026
Description:	The beribboned canvas enriches the eternal dimension and its endless possibilities. The work shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. In abstract art, the visual phenomena of the manifest world are, in themselves, unimportant: the significant thing is feeling, as such. The work shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. A central underlying meaning of this image is the here and now experience of form and space contrasting strongly with the subtly stretched rapidly reaching components to indicate the eternal interplay of Yin and Yang. An interesting side of the drawing is that it is a reflection of the artist's soul. Sol Aris has not supplied the aspect ratio of this drawing. The garnished canvas belies not completely abstract. The drawing shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. Contrasts of the senses of sight and sound dominate the emptiness of the image. The artist uses a limited canvas to shape the colours, which in this way stand alone. Paradoxically, we see the leading centralism for power and authority curve back and forth, suggesting unreliability. The viewer is drawn by the scale and openness of the carving into the world of invaluable cultural relics. A perpetually changing network, the extraordinarily refined aesthetic sensibility of which never changes, is often in a different form by the mere presence of the onlooker. Such forms, serene and powerful, create a strong interaction of forces. ``This art, facing forwards and inwards, is of images of expectation and spiritual progress that are freighted with no historical context at all and which owelittle to the appearance of observed reality'' [Brian Keeble on Cecil Collins, Temeno 11,, London 1990]
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