Pretentious Yet Pointless
In the Suprematist school, the visual phenomena of the unexplored world are, in themselves, unimportant: the only worthy thing is feeling, as such. Semiotically, we see the leading centralism representing the inner ego undulate towards the centre of the image, suggesting inconstancy. Contrasts of salt and pepper dominate the broad scope of this work. Sol Aris has not supplied the meaning of this image. A notable feature of this prototype is the dominant angularity and horizontality contrasting strongly with the dominant angularity and horizontality so clearly visible. A particularly contentious aspect of this picture is the dominant angularity and horizontality contrasting strongly with the world of colour and space to indicate the essential contrast between pattern and texture.
In the Suprematist theory, the visual phenomena of the external world are, in themselves, unimportant: the significant thing is feeling, as such. The here and now experience of night and day in this carving, despite appearing disarmingly simple at first glance, create in the mind graceful lissome curves...
The world of dog saliva and the dualistic essense of unreality in this image, despite appearing disarmingly simple at first glance, create in the mind epistemology of area and environment...
The figured background indicates a primary sense which belongs to the basic senses of our psychology. Contrasts of dark and light emphasise the broad scope of this sketch. The layers of approaching curves are intertwined in a parody of celebration.
An important part of this particular image is that it is the pattern of unconscious thought.