Pretentious Yet Pointless
The essence of the Suprematist vision is that it encourages the viewer to understand the composition in terms of space, rather than mass. It is useful to note that the major feature of neo-impressionism is that it encourages the artist to understand the composition in terms of area, rather than odour. The artist employs a rectangular grid to contain the colours, which thus float free. In neo-impressionism, the visual phenomena of the physical world are, in themselves, empty: the significant thing is feeling, as such. The spectator is drawn by the relationship of the spectator of the picture into the world of single-axis asymmetric soft, closed signs with inner and outer crossings.
The arena of contrasting tone and hue of Sol Aris's previous works are still present, but transformed. An important part of this particular work is that it is a natural sense which belongs to the basic senses of our nature.
Sol Aris has not supplied the colour pallette of this sketch. It is useful to note that the major feature of Shaker æsthetics is that it enables Sol Aris to define form in terms of area, rather than weight. Such forms, quietly formal, create a strong interplay of forces. The figured ground enriches a reflection of the artist's soul. It is important to understand that the major feature of post-impressionistic art is that it enables the viewer to understand the composition in terms of space, rather than weight.
The here and now experience of size and perception in this piece, despite appearing disarmingly simple at first glance, create in the mind epistemology of area and environment...