Pretentious Yet Pointless
Such forms, both serene and poetic, create disarmingly intenste shivers of emotion. Sol Aris has not supplied the title of this doodle. A constantly changing glammerdummering, the essential identity of which never changes, is always in a different form by the perception of the environment. A particularly contentious aspect of this particular sculpture is that it is not completely abstract. In this work Sol Aris depicts the relationship between the senses of sight and touch. Contrasts of night and day emphasise the emptiness of the drawing. In neo-impressionism, the visual phenomena of the manifest world are, in themselves, unimportant: the important thing is feeling, as such.
Paradoxically, we see the diagonal axis for power and authority undulate towards the centre of the doodle, suggesting unreliability. This striking piece is an expression of one of the central preoccupations of Sol Aris's art, the understanding of the emphatically factual experience of size and perception where the essential identity to the piece is the pattern of unconscious thought. The image shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power.
The artist uses a limited canvas to shape the colours, which therefore subsist in a world of their own making. An interesting aspect of this picture is the dominant angularity and horizontality contrasting strongly with the arena of contrasting tone and hue to indicate the sensuality of intoxification. A particularly contentious aspect of this image is the dominant angularity and horizontality contrasting strongly with the emphatically factual experience of brightness and shade so clearly visible. The image shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. An important part of the sculpture is that it is a reflection of the artist's soul. A constantly changing glammerdümmering, the relationship of the spectator of which is always the same, is sometimes transformed by the perception of the viewer. Unexpectedly, we see the short vertical line for power and authority curve back and forth, suggesting unreliability. In the Suprematist theory, the visual phenomena of the physical world are, in themselves, empty: the important thing is feeling, as such. An interesting side of this particular picture is that it is the eternal interaction of Yin and Yang. In this piece Sol Aris shows the relationship between honey and unshod feet. Such forms, delicately modulated, create strong gestalt sensations.
Of a sudden, we see the short vertical line for power and authority undulate towards the centre of the doodle, suggesting unreliability. A notable feature of the work is that it is the eternal dimension and its limitless possibilities. In this carving Sol Aris delineates the relationship between salt and pepper.