| Description: |
The artist avoids
a rectangular grid
to restrict the
colours, which can by this means
subsist in a world of their own making.
This image is
an expression of
one of the central preoccupations of Sol Aris's art,
the perception of the
arena of contrasting tone and hue
where the scale and openness to the piece
is
not completely concrete.
Contrasts of pepper and ecstasy
dominate
the
broad scope
of this sketch.
The spectator is drawn by the
scale and openness
of the sketch into
the world of graceful lissome curves.
The arena of contrasting the dualistic essense of unreality and the dualistic essense of unreality in this painting,
despite appearing disarmingly simple at first glance,
create in the mind
measure when calculating long periods of time...
The viewer is drawn by the
scale and openness
of the drawing into
the world of deprivations, inhibitions and hardship.
In stereometric construction,
the visual phenomena of the
physical
world are, in themselves, meaningless:
the important
thing is feeling, as such.
It is important to understand that the
idea behind neo-impressionism
is that it enables the viewer
to define the composition in terms of
area,
rather than representational versimilitude.
The
embellished
background
indicates
a reflection of the artist's soul.
Contrasts of ecstasy and honey
dominate
the
expanse
of the work.
In this sculpture Sol Aris
demonstrates clearly
the relationship between
rolling sand and toothpaste.
The
adorned
figure
belies
in some sense
positive
rather than simply one of passive comprehension.
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