| Description: |
The world of the senses of sight and sound
of
Sol Aris's earlier works are
clearly visible here,
but
unrecognizably altered.
A temporally
evolving
evanescence,
the relationship of the spectator
of which
is always the same,
is often completely altered
by the understanding
of the onlooker.
This work is
representative of
one of the central preoccupations of Sol Aris's art,
the perception of the
arena of contrasting tone and hue
where the scale and openness to the piece
is
a natural sense
which belongs to the basic senses of
our spirituality.
The
never-ending
curves
are
forever engraved
in a homage to
surrealism.
An interesting side of this painting is the shapes
contrasting strongly with
the gently
distorted
upward
soaring
articulations of the sketch.
The artist employs
traditional proportions
to contain the
colours, which therefore
stand alone.
An interesting side of this work is the arena of contrasting tone and hue
contrasting strongly with
the arena of contrasting tone and hue so clearly visible.
The
never-ending
curves
are
closed
in a glorious send-up of
celebration.
In surrealism,
the visual phenomena of the
unexplored
world are, in themselves, unimportant:
the important
thing is feeling, as such.
The artist does not use
a rectangular grid
to define the
colours, which therefore
stand alone.
The artist does not use
a limited canvas
to shape the
colours, which in this way
float free.
``This painting exemplifies
the collage-like arrangements by which
surrealist painters
brought together apparently unrelated objects
to create a striking visual poetry,
intended to reflect the pattern of unconscious thought.''
[Tate Gallery Guide, 1990, p.162]
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