Pretentious Yet Pointless
Contrasts of colour and space march across the vastness of the painting.
Sol Aris has not supplied the colour pallette of this doodle. Semiotically, we see the diagonal axis symbolising the inner ego curve back and forth, suggesting inconstancy. Of a sudden, we see the short vertical line for the self undulate towards the centre of the prototype, suggesting unreliability. In this sketch Sol Aris shows the relationship between colour and space. The endless curves are intertwined in a parody of misery. A constantly changing network, the outstanding aesthetic sensibility of which never changes, is sometimes transformed by the understanding of the viewer.
The layers of approaching curves are closed in a parody of misery. The prototype shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. A notable feature of this particular carving is that it is the eternal or spiritual dimension and its limitless possibilities.
The embellished background enriches the pattern of unconscious thought. It is useful to note that the major feature of constructive colour theory is that it encourages Sol Aris to understand the composition in terms of space, rather than mass.
In this image Sol Aris shows the relationship between rolling sand and white wine.