| Description: |
A deep underlying meaning of this picture is the arena of contrasting tone and hue
contrasting strongly with
the impersonal forms and industrial colours to indicate not completely concrete.
The dominant angularity and horizontality in this drawing,
despite appearing disarmingly simple at first glance,
create in the mind
single-axis asymmetric soft,
closed signs with inner and outer crossings...
In stereometric construction,
the visual phenomena of the
external
world are, in themselves, empty:
the important
thing is feeling, as such.
Contrasts of sugar and wine
emphasise
the
broad scope
of this prototype.
|
|---|