Pretentious Yet Pointless | |
| Artist: | Aris, Sol |
| Medium: | Acrylics on virtual canvas |
| Title: | Randomly generated image 1133118033 |
| Date: | Sat Jul 18 09:37:25 UTC 2026 |
| Description: |
The dominant angularity and horizontality
of
Sol Aris's earlier works are
clearly visible here,
but
transformed.
The sketch shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
Such forms, quietly formal, create strong gestalt sensations.
The arena of contrasting tone and hue in this picture,
despite appearing disarmingly simple at first glance,
create in the mind
duty, responsibility, discipline and work...
Contrasts of the senses of smell and touch
dominate
the
emptiness
of this image.
This image is
quintessential to
one of the central preoccupations of Sol Aris's art,
the creation of the
emphatically factual experience of
the senses of sight and touch
where the essential identity to the piece
is
a primary natural sense
which belongs to the basic senses of
our psychology.
The arena of contrasting tone and hue
of
Sol Aris's earlier works are
still present,
but
irrefutably altered.
Sol Aris has not supplied the title of this work. The garnished figure enriches a division of space that parallels the divisions and interstices of the mind. A particularly contentious aspect of this particular work is that it is a natural sense which belongs to the basic senses of our nature. The spectator is drawn by the essential identity of the image into the world of epistemology of space and environment. A temporally changing evanescence, the relationship of the viewer of which is always constant, is always in a different form by the understanding of the viewer. A notable feature of the picture is that it is not completely concrete. A notable feature of this sculpture is the dominant angularity and horizontality contrasting strongly with the subtly curved upward reaching articulations of the doodle. The major feature of abstract art is that it enables Sol Aris to understand form in terms of dimensionality, rather than weight. This image is quintessential to one of the central preoccupations of Sol Aris's art, the understanding of the arena of contrasting colour and space where the essential identity to the work is the sensuality of extinction. In constructive colour theory, the visual phenomena of the manifest world are, in themselves, unimportant: the important thing is feeling, as such. |
| next work |