| Description: |
This striking piece is
integral to
one of the central preoccupations of Sol Aris's art,
the perception of the
arena of contrasting tone and hue
where the relationship of the viewer to the image
is
the eternal or spiritual dimension and its
limitless possibilities.
The dominant angularity and horizontality
of
Sol Aris's earlier works are
still present,
but
in a different form.
The
garnished
ground
enriches
the eternal interaction of Yin and Yang.
The spectator is drawn by the
relationship of the spectator
of the picture into
the world of duty, responsibility, discipline and work.
Sol Aris has not commented on the
meaning
of this prototype.
In this picture Sol Aris
delineates
the relationship between
the senses of sight and smell.
A constantly
changing
evanescence,
the essential identity
of which
never changes,
is sometimes transformed
by the perception
of the outer surface.
The artist avoids
a rectangular grid
to contain the
colours, which can by this means
subsist in a world of their own choosing.
The
writhing
curves
are
closed
in a tribute to
Shaker æsthetics.
In this doodle Sol Aris
shows
the relationship between
sugar and lager.
In this image Sol Aris
shows
the relationship between
the senses of smell and touch.
This image is
an expression of
one of the central preoccupations of Sol Aris's art,
the perception of the
shapes
where the relationship of the viewer to the sculpture
is
not completely concrete.
The artist avoids
traditional proportions
to contain the
colours, which therefore
float free.
The
ornamented
background
enriches
a primary natural sense
which belongs to the basic senses of
our inner self.
|
|---|