Pretentious Yet Pointless

random artwork

Artist: Aris, Sol
Medium: Acrylics on virtual canvas
Title: Randomly generated image 1133124574
Date: Wed Jul 22 12:12:37 UTC 2026
Description: The garnished ground belies the essential difference between pattern and texture. The arena of contrasting colour and space of Sol Aris's earlier works are clearly visible here, but in a different form. In Shaker æsthetics, the visual phenomena of the objective world are, in themselves, empty: the important thing is feeling, as such. A deep underlying meaning of this prototype is the dominant angularity and horizontality contrasting strongly with the arena of contrasting night and day of the work. The work shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. Contrasts of brightness and dark march across the emptiness of this piece. The receding curves are enjoined in a homage to misery.

The artist does not use traditional proportions to define the colours, which can by this means float free. The spectator is drawn by the outstanding aesthetic sensibility of the work into the world of similarity of dark and light. This striking piece is an expression of one of the central preoccupations of Sol Aris's art, the understanding of the subtly contorted upward flying elements where the outstanding aesthetic sensibility to the piece is a reflection of the artist's soul. Contrasts of salt and pepper emphasise the foreground of the sketch. A particularly contentious aspect of this image is the world of the senses of smell and sight contrasting strongly with the shapes of the work. This painting is representative of one of the central preoccupations of Sol Aris's art, the perception of the arena of contrasting honey and beer where the essential identity to the sketch is a reflection of the artist's soul. A central underlying meaning of this image is the impersonal forms and industrial colours contrasting strongly with the world of sugar and wine of the image. In neo-impressionism, the visual phenomena of the objective world are, in themselves, meaningless: the important thing is feeling, as such.
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