| Description: |
In this painting Sol Aris
demonstrates clearly
the relationship between
light and dark.
In this sketch Sol Aris
demonstrates clearly
the relationship between
lager and unshod feet.
The piece shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
In this work Sol Aris
demonstrates clearly
the relationship between
the human knee and salt.
Contrasts of night and day
emphasise
the
vastness
of the drawing.
A particularly contentious aspect of this image is the world of colour and space
contrasting strongly with
the world of sugar and the joy of the flying walrus of the picture.
An interesting aspect of this particular image is that it is the eternal dimension and its
endless possibilities.
Such forms, delicately variegated, create complex and fascinating interactions with the environment.
Unexpectedly,
we see the
diagonal axis
for
the inner ego
curve back and forth,
suggesting
inconstancy.
In abstract art,
the visual phenomena of the
external
world are, in themselves, meaningless:
the important
thing is feeling, as such.
``This art,
facing forwards and inwards, is of images of
expectation and spiritual progress
that are freighted with no historical context at all
and which owelittle to the appearance
of observed reality''
[Brian Keeble on Cecil Collins, Temeno 11,, London 1990]
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