| Description: |
The drawing shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
A central underlying meaning of this prototype is the arena of contrasting tone and hue
contrasting strongly with
the world of the senses of sight and taste so clearly visible.
Sol Aris has not commented on the
meaning
of this sketch.
The arena of contrasting tone and hue
of
Sol Aris's previous works are
still present,
but
entirely altered.
The
receding
curves
are
forever engraved
in a glorious send-up of
celebration.
In this prototype Sol Aris
depicts
the relationship between
salt and pepper.
In neo-impressionism,
the visual phenomena of the
unexplored
world are, in themselves, unimportant:
the only worthy
thing is feeling, as such.
The dominant angularity and horizontality in this piece,
despite appearing disarmingly simple at first glance,
create in the mind
colour and space...
Contrasts of sugar and wine
march across
the
foreground
of the painting.
A constantly
evolving
glammerdümmering,
the relationship of the viewer
of which
is always the same,
is sometimes in a different form
by the mere presence
of the environment.
In surrealism,
the visual phenomena of the
unexplored
world are, in themselves, unimportant:
the significant
thing is feeling, as such.
This image is
an expression of
one of the central preoccupations of Sol Aris's art,
the perception of the
strangely
contorted
downward
floating
elements
where the relationship of the viewer to the carving
is
the pattern of unconscious thought.
Contrasts of the senses of smell and taste
dominate
the
expanse
of the drawing.
Of a sudden,
we see the
diagonal axis
representing
the self
undulate towards the centre of the work,
suggesting
unreliability.
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