Pretentious Yet Pointless | |
| Artist: | Aris, Sol |
| Medium: | Acrylics on virtual canvas |
| Title: | Randomly generated image 1133235349 |
| Date: | Sat Aug 15 06:42:17 UTC 2026 |
| Description: |
In post-impressionistic art,
the visual phenomena of the
unexplored
world are, in themselves, meaningless:
the important
thing is feeling, as such.
Sol Aris has not commented on the
aspect ratio
of this work.
The viewer is drawn by the
essential identity
of the work into
the world of invaluable cultural icons.
An important part of this picture is the world of the senses of smell and touch
contrasting strongly with
the arena of contrasting tone and hue of the carving.
The piece shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
It is useful to note that the
major feature of post-impressionistic art
is that it encourages the artist
to define the composition in terms of
space,
rather than odour.
The arena of contrasting tone and hue
of
Sol Aris's earlier works are
clearly visible here,
but
in a different form.
The viewer is drawn by the essential identity of the doodle into the world of deprivations, inhibitions and boredom. The viewer is drawn by the essential identity of the picture into the world of honey and salt. Sol Aris has not commented on the title of this sculpture. The viewer is drawn by the extraordinarily refined aesthetic sensibility of the painting into the world of single-axis asymmetric soft, closed signs with inner and outer crossings. An interesting side of the painting is that it is a division of space that parallels the divisions and interstices of the mind. Contrasts of sugar and ecstasy dominate the foreground of the work. A constantly changing evanescence, the scale and openness of which remains unchanged, is always completely altered by the essential fact of the viewer. An important part of this picture is the arena of contrasting light and dark contrasting strongly with the world of light and dark to indicate in some sense positive rather than simply one of passive comprehension. |
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