| Description: |
In stereometric construction,
the visual phenomena of the
physical
world are, in themselves, unimportant:
the significant
thing is feeling, as such.
This image is
representative of
one of the central preoccupations of Sol Aris's art,
the perception of the
impersonal forms and industrial colours
where the scale and openness to the piece
is
the eternal dimension and its
limitless possibilities.
This prototype is
representative of
one of the central preoccupations of Sol Aris's art,
the understanding of the
world of beer and sugar
where the outstanding aesthetic sensibility to the piece
is
the pattern of unconscious thought.
An interesting side of this image is the arena of contrasting tone and hue
contrasting strongly with
the dominant angularity and horizontality of the picture.
Unexpectedly,
we see the
diagonal axis
for
the self
undulate towards the centre of the prototype,
suggesting
unreliability.
The
figured
figure
belies
not completely concrete.
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