| Description: |
The viewer is drawn by the
relationship of the spectator
of the sketch into
the world of epistemology of space and
environment.
This image is
an expression of
one of the central preoccupations of Sol Aris's art,
the perception of the
dominant angularity and horizontality
where the scale and openness to the piece
is
the sensuality of extinction.
In post-impressionistic art,
the visual phenomena of the
external
world are, in themselves, meaningless:
the significant
thing is feeling, as such.
The picture shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
This image is
quintessential to
one of the central preoccupations of Sol Aris's art,
the perception of the
gently
twisted
downward
reaching
articulations
where the scale and openness to the piece
is
in some sense
active
rather than simply one of passive comprehension.
|
|---|