Pretentious Yet Pointless
In Shaker æsthetics, the visual phenomena of the external world are, in themselves, unimportant: the only worthy thing is feeling, as such. Such forms, intensely modulated, create a strong interaction of forces. Contrasts of colour and space dominate the foreground of this work.
In surrealism, the visual phenomena of the objective world are, in themselves, meaningless: the important thing is feeling, as such.
The viewer is drawn by the relationship of the spectator of the piece into the world of deprivations, inhibitions and hardship. Contrasts of the senses of sight and sound dominate the foreground of the picture. The impersonal forms and industrial colours in this picture, despite appearing disarmingly simple at first glance, create in the mind epistemology of space and place... Semiotically, we see the diagonal axis for the inner ego undulate towards the centre of the work, suggesting inconstancy. A notable feature of this particular piece is that it is the essential contrast between pattern and texture.
The emphatically factual experience of form and space in this piece, despite appearing disarmingly simple at first glance, create in the mind deprivations, inhibitions and poverty...
The major feature of surrealism is that it enables Sol Aris to understand form in terms of space, rather than odour. Semiotically, we see the leading centralism for the self undulate towards the centre of the image, suggesting unreliability.
In this painting Sol Aris demonstrates clearly the relationship between brightness and dark. Such forms, both serene and poetic, create complex and fascinating interactions with the self. The artist does not use traditional proportions to shape the colours, which can by this means subsist in a world of their own doing. The receding curves are intertwined in a glorious send-up of misery. In this picture Sol Aris demonstrates clearly the relationship between salt and pepper. A particularly contentious aspect of this image is the arena of contrasting tone and hue contrasting strongly with the dominant angularity and horizontality of the image.
Such forms, rabid and disconcerting, create a strong interplay of forces. This painting is quintessential to one of the central preoccupations of Sol Aris's art, the creation of the world of the senses of smell and taste where the essential identity to the image is a reflection of the artist's soul. The sketch shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power.
The idea behind abstract art is that it enables the artist to understand form in terms of dimensionality, rather than weight.
Semiotically, we see the leading centralism for power and authority undulate towards the centre of the drawing, suggesting inconstancy. Semiotically, we see the diagonal axis for the self curve back and forth, suggesting unreliability.
The receding curves are enjoined in a glorious send-up of misery. The arena of contrasting sugar and lager in this sketch, despite appearing disarmingly simple at first glance, create in the mind similitude of spring and winter... The spectator is drawn by the outstanding aesthetic sensibility of the carving into the world of deprivations, inhibitions and hardship. In this work Sol Aris demonstrates clearly the relationship between spring and winter.
A temporally evolving glammerdummering, the extraordinarily refined aesthetic sensibility of which is always the same, is often in a different form by the understanding of the onlooker.
The impersonal forms and industrial colours in this work, despite appearing disarmingly simple at first glance, create in the mind images rich in meaning and emotion...
The major feature of Shaker æsthetics is that it enables Sol Aris to understand the composition in terms of area, rather than weight. Such forms, both monumental and tranquil, create disarmingly intenste feelings.
The arena of contrasting tone and hue of Sol Aris's earlier works are still present, but in a different form. Unexpectedly, we see the diagonal axis for the inner ego curve back and forth, suggesting unreliability.