Pretentious Yet Pointless
The artist avoids a rectangular grid to contain the colours, which in this way subsist in a world of their own making. The artist avoids traditional proportions to shape the colours, which thus stand alone. It is useful to note that the major feature of the Suprematist school is that it encourages the viewer to define the composition in terms of dimensionality, rather than representational versimilitude. The artist does not use a limited canvas to contain the colours, which can by this means stand alone.