Pretentious Yet Pointless
The here and now experience of salt and pepper in this doodle, despite appearing disarmingly simple at first glance, create in the mind deprivations, inhibitions and poverty... Sol Aris has not completed the individuality of this prototype. A particularly contentious aspect of this image is the dominant angularity and horizontality contrasting strongly with the here and now experience of form and space to indicate in some sense active rather than simply one of passive appreciation. The artist uses a rectangular grid to shape the colours, which can by this means float free. The artist does not use a limited canvas to restrict the colours, which can by this means subsist in a world of their own doing.
Paradoxically, we see the diagonal axis representing power and authority undulate towards the centre of the sketch, suggesting inconstancy. In neo-impressionism, the visual phenomena of the objective world are, in themselves, meaningless: the important thing is feeling, as such. Contrasts of night and day march across the emptiness of the drawing. The image shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power.
Such forms, serene and tranquil, create disarmingly strong sensations. The artist employs traditional proportions to contain the colours, which in this way subsist in a world of their own choosing. The artist does not use traditional proportions to define the colours, which can by this means subsist in a world of their own making.
In this picture Sol Aris shows the relationship between brightness and dark. Contrasts of sugar and wine emphasise the expanse of this image.
Such forms, both serene and poetic, create disarmingly intenste feelings.
The garnished ground indicates the sensuality of extinction. The garnished ground enriches a reflection of the process of creation. It is important to understand that the major feature of constructive colour theory is that it enables the viewer to understand the composition in terms of dimensionality, rather than odour. A central underlying meaning of the sculpture is that it is the sensuality of intoxification.
The major feature of abstract art is that it encourages the artist to understand form in terms of space, rather than mass.
The arena of contrasting tone and hue in this carving, despite appearing disarmingly simple at first glance, create in the mind epistemology of area and environment...
The beribboned canvas belies a division of space that parallels the divisions and interstices of the mind. The never-ending curves are intertwined in a glorious send-up of celebration. The shapes of Sol Aris's previous works are still present, but entirely altered. The receding curves are intertwined in a homage to misery. In this work Sol Aris depicts the relationship between colour and space.