Pretentious Yet Pointless

	Pretentious Yet Pointless

Artist:	Aris, Sol
Medium:	Acrylics on virtual canvas
Title:	Randomly generated image 1133322281
Date:	Fri Sep 4 19:27:27 UTC 2026
Description:	This image is quintessential to one of the central preoccupations of Sol Aris's art, the creation of the arena of contrasting tone and hue where the relationship of the spectator to the piece is the essential distinction between pattern and texture. This striking piece is integral to one of the central preoccupations of Sol Aris's art, the perception of the here and now experience of form and space where the extraordinarily refined aesthetic sensibility to the drawing is in some sense positive rather than simply one of passive comprehension. An interesting side of this image is the impersonal forms and industrial colours contrasting strongly with the arena of contrasting tone and hue of the sketch. The major feature of neo-impressionism is that it encourages the artist to define the composition in terms of dimensionality, rather than weight. The essence of stereometric construction is that it enables the artist to understand form in terms of area, rather than odour. The endless curves are forever engraved in a tribute to misery. Sol Aris has not described the aspect ratio of this drawing. In this sketch Sol Aris demonstrates clearly the relationship between dark and light. A notable feature of this particular sculpture is that it is a reflection of the artist's soul. The endless curves are forever engraved in a parody of post-impressionistic art. The layers of approaching curves are forever engraved in a tribute to misery. A perpetually changing evanescence, the extraordinarily refined aesthetic sensibility of which is always the same, is often transformed by the essential fact of the viewer. The prototype shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The gently contorted downward floating articulations in this image, despite appearing disarmingly simple at first glance, create in the mind duty, responsibility, discipline and work... Such forms, quietly formal, create disarmingly strong feelings. A particularly contentious aspect of this particular image is that it is a reflection of the artist's soul. In abstract art, the visual phenomena of the manifest world are, in themselves, unimportant: the significant thing is feeling, as such. The strangely curved downward floating elements of Sol Aris's earlier works are clearly visible here, but in a different form. The garnished background indicates a primary sense which belongs to the basic senses of our psychology. The never-ending curves are enjoined in a parody of celebration. The impersonal forms and industrial colours of Sol Aris's other works are clearly visible here, but in a different form. A constantly changing network, the essential identity of which never changes, is always completely altered by the understanding of the outer surface. Of a sudden, we see the leading centralism representing strength undulate towards the centre of the sculpture, suggesting unreliability. The painting shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The artist avoids traditional proportions to define the colours, which can by this means stand alone. ``This art, facing forwards and inwards, is of images of expectation and spiritual progress that are freighted with no historical context at all and which owelittle to the appearance of observed reality'' [Brian Keeble on Cecil Collins, Temeno 11,, London 1990]
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