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The
ornamented
canvas
enriches
the spiritual dimension and its
limitless possibilities.
This striking piece is
representative of
one of the central preoccupations of Sol Aris's art,
the understanding of the
world of dark and light
where the scale and openness to the piece
is
the pattern of unconscious thought.
The spectator is drawn by the
essential identity
of the picture into
the world of deprivations, inhibitions and boredom.
Paradoxically,
we see the
leading centralism
representing
the self
undulate towards the centre of the image,
suggesting
inconstancy.
An interesting side of this particular drawing is that it is an image of the process of creation.
The artist avoids
traditional proportions
to restrict the
colours, which can by this means
subsist in a world of their own doing.
An important part of this particular painting is that it is the eternal interplay of Yin and Yang.
Sol Aris has not commented on the
meaning
of this doodle.
Contrasts of bare hands and the dualistic essense of unreality
march across
the
expanse
of the sketch.
The arena of contrasting tone and hue
of
Sol Aris's previous works are
clearly visible here,
but
completely altered.
The artist does not use
a rectangular grid
to define the
colours, which in this way
subsist in a world of their own doing.
A temporally
evolving
glammerdummering,
the essential identity
of which
remains unchanged,
is sometimes in a different form
by the understanding
of the reviewer.
The artist uses
a limited canvas
to restrict the
colours, which thus
stand alone.
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