Pretentious Yet Pointless | |
| Artist: | Aris, Sol |
| Medium: | Acrylics on virtual canvas |
| Title: | Randomly generated image 1133370600 |
| Date: | Mon Sep 14 21:17:51 UTC 2026 |
| Description: |
The artist uses
a limited canvas
to contain the
colours, which therefore
float free.
Contrasts of the senses of sight and taste
dominate
the
vastness
of this piece.
The carving shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
This image is
quintessential to
one of the central preoccupations of Sol Aris's art,
the understanding of the
shapes
where the relationship of the viewer to the work
is
the eternal dimension and its
limitless possibilities.
A temporally
changing
glammerdummering,
the scale and openness
of which
remains unchanged,
is always in a different form
by the understanding
of the environment.
The artist employs
traditional proportions
to contain the
colours, which in this way
stand alone.
The image shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
The
endless
curves
are
enjoined
in a homage to
celebration.
A constantly changing glammerdummering, the scale and openness of which never changes, is always completely altered by the perception of the viewer. Contrasts of the passive tongue and rolling sand dominate the expanse of this work. This image is integral to one of the central preoccupations of Sol Aris's art, the creation of the here and now experience of size and perception where the extraordinarily refined aesthetic sensibility to the image is the eternal interaction of Yin and Yang. The arena of contrasting tone and hue in this prototype, despite appearing disarmingly simple at first glance, create in the mind graceful sinuous curves... Such forms, both serene and poetic, create disarmingly intenste feelings. The figured background belies a reflection of the artist's soul. In abstract art, the visual phenomena of the physical world are, in themselves, empty: the only worthy thing is feeling, as such. Semiotically, we see the short vertical line representing the self curve back and forth, suggesting inconstancy. The spectator is drawn by the outstanding aesthetic sensibility of the work into the world of similitude of sugar and wine. The endless curves are forever engraved in a parody of neo-impressionism. |
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