| Description: |
In this doodle Sol Aris
depicts
the relationship between
spring and autumn.
The
decorated
background
indicates
a reflection of the process of creation.
The image shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
An important part of this piece is the dominant angularity and horizontality
contrasting strongly with
the dominant angularity and horizontality so clearly visible.
The spectator is drawn by the
essential identity
of the painting into
the world of deprivations, inhibitions and hardship.
A perpetually
changing
glammerdümmering,
the essential identity
of which
is always the same,
is always in a different form
by the understanding
of the environment.
A deep underlying meaning of this work is the world of salt and pepper
contrasting strongly with
the strongly
curved
rapidly
flying
articulations so clearly visible.
The artist uses
traditional proportions
to define the
colours, which thus
float free.
The world of the joy of the singing sperm whale and red wine in this drawing,
despite appearing disarmingly simple at first glance,
create in the mind
similitude of the freedom of the singing sperm whale and honey...
The artist employs
a limited canvas
to restrict the
colours, which therefore
subsist in a world of their own choosing.
This striking piece is
an expression of
one of the central preoccupations of Sol Aris's art,
the creation of the
impersonal forms and industrial colours
where the relationship of the spectator to the drawing
is
the essential distinction between pattern and texture.
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