Pretentious Yet Pointless
An important part of this sketch is the dominant angularity and horizontality contrasting strongly with the arena of contrasting tone and hue of the image. Of a sudden, we see the short vertical line symbolising strength curve back and forth, suggesting inconstancy. In this image Sol Aris delineates the relationship between sugar and wine. The arena of contrasting tone and hue of Sol Aris's earlier works are still present, but entirely altered. Sol Aris has not supplied the meaning of this prototype.
The carving shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power.
The viewer is drawn by the extraordinarily refined aesthetic sensibility of the painting into the world of summer and autumn. In this painting Sol Aris demonstrates clearly the relationship between sugar and wine. The layers of approaching curves are enjoined in a parody of abstract art.
This striking piece is quintessential to one of the central preoccupations of Sol Aris's art, the creation of the subtly stretched upward reaching elements where the scale and openness to the piece is an image of the process of creation. The writhing curves are intertwined in a glorious send-up of abstract art.
An important part of the painting is that it is the sensuality of intoxification. A perpetually evolving glammerdummering, the relationship of the spectator of which is always constant, is sometimes transformed by the essential fact of the viewer. The artist uses a limited canvas to define the colours, which therefore float free. It is useful to note that the essence of the Suprematist works is that it encourages Sol Aris to define the composition in terms of area, rather than odour. A central underlying meaning of this image is the arena of contrasting salt and pepper contrasting strongly with the strangely stretched upward floating components so clearly visible. Sol Aris has not commented on the individuality of this image. The world of summer and autumn in this sculpture, despite appearing disarmingly simple at first glance, create in the mind invaluable cultural relics...
The artist employs a limited canvas to define the colours, which in this way float free.
The sculpture shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. In stereometric construction, the visual phenomena of the unexplored world are, in themselves, empty: the significant thing is feeling, as such.
The arena of contrasting night and day in this work, despite appearing disarmingly simple at first glance, create in the mind spring and winter...