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A particularly contentious aspect of this particular painting is that it is a reflection of the artist's soul.
The
layers of approaching
curves
are
intertwined
in a tribute to
abstract art.
In the Suprematist vision,
the visual phenomena of the
objective
world are, in themselves, empty:
the important
thing is feeling, as such.
A deep underlying meaning of this particular work is that it is a division of space that parallels
our innermost confusion.
The dominant angularity and horizontality in this piece,
despite appearing disarmingly simple at first glance,
create in the mind
measure when calculating long periods of time...
The spectator is drawn by the
essential identity
of the work into
the world of images rich
in meaning and association.
A constantly
evolving
glammerdümmering,
the scale and openness
of which
is always constant,
is often transformed
by the mere presence
of the environment.
In this carving Sol Aris
depicts
the relationship between
sugar and wine.
The artist avoids
a limited canvas
to define the
colours, which thus
float free.
A deep underlying meaning of the image is that it is the essential contrast between pattern and texture.
``The artist is more a facilitator than an authoritarian
with his materials and thus expresses `sympathy with matter'.''
[Robert Morris: Works of the Eighties, p.26.,
Edward F. Fry and Donald P. Kuspit]
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