Pretentious Yet Pointless

	Pretentious Yet Pointless

Artist:	Aris, Sol
Medium:	Acrylics on virtual canvas
Title:	Randomly generated image 1133413011
Date:	Wed Sep 23 04:04:42 UTC 2026
Description:	The ornamented background belies in some sense positive rather than simply one of passive appreciation. The artist employs a limited canvas to define the colours, which can by this means float free. In this prototype Sol Aris shows the relationship between the senses of smell and sound. The image shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The receding curves are intertwined in a homage to misery. The artist employs a limited canvas to contain the colours, which thus stand alone. A notable feature of the prototype is that it is a reflection of the artist's soul. The strangely stretched quickly reaching elements of Sol Aris's earlier works are clearly visible here, but in a different form. An interesting aspect of this sketch is the dominant angularity and horizontality contrasting strongly with the world of dark and light of the doodle. In this doodle Sol Aris depicts the relationship between colour and space. This image is quintessential to one of the central preoccupations of Sol Aris's art, the understanding of the shapes where the essential identity to the piece is the essential difference between pattern and texture. A constantly evolving glammerdümmering, the scale and openness of which remains unchanged, is always in a different form by the essential fact of the reviewer. The essence of the Suprematist school is that it encourages the artist to understand form in terms of dimensionality, rather than representational versimilitude. In this image Sol Aris depicts the relationship between salt and pepper. An important part of this prototype is the subtly twisted rapidly flying elements contrasting strongly with the arena of contrasting colour and space to indicate the essential distinction between pattern and texture. Sol Aris has not commented on the individuality of this doodle. The world of spring and autumn of Sol Aris's previous works are clearly visible here, but transformed. In stereometric construction, the visual phenomena of the external world are, in themselves, meaningless: the significant thing is feeling, as such. In this doodle Sol Aris shows the relationship between night and day. It is important to understand that the major feature of neo-impressionism is that it enables Sol Aris to define form in terms of dimensionality, rather than odour. A notable feature of this particular painting is that it is the spiritual dimension and its endless possibilities. A constantly evolving network, the scale and openness of which remains unchanged, is often in a different form by the understanding of the viewer. ``What does it all mean? I have little idea... It seems to make use of an abstract idiom which is skirting very near to mere decorative doodling, rather intricately pretty, and yet it is clearly nothing to do with decoration because it's too obsessed.'' [Tate Gallery Guide, 1990, p.232]
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