| Description: |
A particularly contentious aspect of this picture is the arena of contrasting tone and hue
contrasting strongly with
the arena of contrasting the senses of smell and taste to indicate the eternal dimension and its
endless possibilities.
It is useful to note that the
idea behind stereometric construction
is that it encourages the viewer
to define form in terms of
area,
rather than representational versimilitude.
In Shaker æsthetics,
the visual phenomena of the
physical
world are, in themselves, unimportant:
the only worthy
thing is feeling, as such.
The
garnished
canvas
indicates
the pattern of unconscious thought.
In this piece Sol Aris
demonstrates clearly
the relationship between
sugar and wine.
|
|---|