Pretentious Yet Pointless | |
| Artist: | Aris, Sol |
| Medium: | Acrylics on virtual canvas |
| Title: | Randomly generated image 1133437698 |
| Date: | Sun Sep 27 12:54:30 UTC 2026 |
| Description: |
The
embellished
figure
indicates
a reflection of the artist's soul.
The artist uses
traditional proportions
to restrict the
colours, which can by this means
stand alone.
Such forms, serene and majestic, create complex and fascinating interactions with the environment.
Contrasts of colour and space
emphasise
the
broad scope
of this piece.
The here and now experience of
form and space in this image,
despite appearing disarmingly simple at first glance,
create in the mind
single-axis asymmetric soft,
closed signs with inner and outer crossings...
The sculpture shares not only Sol Aris's
death-identification
but also his cosmic perspective and obsession with power.
A constantly
evolving
network,
the essential identity
of which
is always constant,
is often transformed
by the mere presence
of the viewer.
In surrealism,
the visual phenomena of the
external
world are, in themselves, meaningless:
the significant
thing is feeling, as such.
The world of toothpaste and pepper in this image,
despite appearing disarmingly simple at first glance,
create in the mind
images steeped
in insight and emotion...
The artist uses
a limited canvas
to shape the
colours, which can by this means
float free.
Semiotically,
we see the
short vertical line
symbolising
the inner ego
undulate towards the centre of the picture,
suggesting
unreliability.
The
ornamented
canvas
enriches
not completely abstract.
The receding curves are forever engraved in a homage to constructive colour theory. It is important to understand that the idea behind neo-impressionism is that it encourages the viewer to define the composition in terms of space, rather than mass. In this sketch Sol Aris depicts the relationship between salt and pepper. Sol Aris has not commented on the individuality of this drawing. The beribboned ground enriches the eternal interaction of Yin and Yang. In Shaker æsthetics, the visual phenomena of the objective world are, in themselves, empty: the significant thing is feeling, as such. In this sketch Sol Aris demonstrates clearly the relationship between light and dark. |
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