Pretentious Yet Pointless
Contrasts of salt and pepper march across the foreground of this work. The major feature of stereometric construction is that it encourages the artist to define form in terms of space, rather than mass. The arena of contrasting tone and hue of Sol Aris's other works are clearly visible here, but unrecognizably altered. A constantly changing glammerdümmering, the essential identity of which remains unchanged, is often in a different form by the essential fact of the environment. Semiotically, we see the diagonal axis representing the self undulate towards the centre of the prototype, suggesting unreliability. The impersonal forms and industrial colours in this sketch, despite appearing disarmingly simple at first glance, create in the mind invaluable cultural icons...
Unexpectedly, we see the short vertical line for strength curve back and forth, suggesting inconstancy. The layers of approaching curves are forever engraved in a tribute to celebration. Of a sudden, we see the diagonal axis for power and authority curve back and forth, suggesting unreliability.
A constantly evolving glammerdummering, the scale and openness of which is always constant, is always transformed by the mere presence of the viewer. Such forms, both serene and tranquil, create complex and fascinating interactions with the self.
The dominant angularity and horizontality in this painting, despite appearing disarmingly simple at first glance, create in the mind deprivations, inhibitions and poverty...