Pretentious Yet Pointless
The endless curves are forever engraved in a homage to celebration.
Contrasts of the senses of smell and taste emphasise the broad scope of the picture. This image is quintessential to one of the central preoccupations of Sol Aris's art, the creation of the arena of contrasting tone and hue where the scale and openness to the sketch is an image of the process of creation. The strongly contorted rapidly soaring elements in this prototype, despite appearing disarmingly simple at first glance, create in the mind single-axis asymmetric soft, closed signs with inner and outer crossings... The sketch shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. Of a sudden, we see the diagonal axis for the self curve back and forth, suggesting unreliability. The adorned figure belies a reflection of the artist's soul. This image is quintessential to one of the central preoccupations of Sol Aris's art, the understanding of the shapes where the scale and openness to the piece is in some sense positive rather than simply one of passive comprehension.
The spectator is drawn by the scale and openness of the work into the world of single-axis asymmetric soft, closed signs with inner and outer crossings.
This picture is integral to one of the central preoccupations of Sol Aris's art, the perception of the arena of contrasting tone and hue where the scale and openness to the piece is a reflection of the artist's soul. This image is an expression of one of the central preoccupations of Sol Aris's art, the perception of the subtly curved downward soaring components where the outstanding aesthetic sensibility to the prototype is not completely abstract. The image shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. Sol Aris has not commented on the aspect ratio of this work. Contrasts of the senses of smell and sight march across the broad scope of the work. A perpetually evolving network, the essential identity of which remains unchanged, is often in a different form by the mere presence of the viewer.
The world of sugar and wine of Sol Aris's earlier works are clearly visible here, but in a different form. In this piece Sol Aris delineates the relationship between the senses of smell and sight.
A constantly evolving network, the relationship of the spectator of which is always the same, is always in a different form by the perception of the outer surface. In this sketch Sol Aris depicts the relationship between rolling sand and red wine. The painting shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power.
``This art, facing forwards and inwards, is of images of expectation and spiritual progress that are freighted with no historical context at all and which owe little to the appearance of observed reality.'' [Brian Keeble, on Cecil Collins, Temeno 11, London, 1990, p.114]