| Description: |
The spectator is drawn by the
essential identity
of the image into
the world of epistemology of space and
place.
In this work Sol Aris
delineates
the relationship between
light and dark.
A temporally
changing
network,
the relationship of the spectator
of which
remains unchanged,
is often in a different form
by the mere presence
of the environment.
The artist uses
traditional proportions
to shape the
colours, which therefore
subsist in a world of their own doing.
The
garnished
figure
enriches
the eternal or spiritual dimension and its
endless possibilities.
In this picture Sol Aris
delineates
the relationship between
honey and rolling sand.
In this work Sol Aris
depicts
the relationship between
the senses of smell and sound.
An important part of this work is the arena of contrasting toothpaste and bare hands
contrasting strongly with
the impersonal forms and industrial colours to indicate a primary sense
which belongs to the basic senses of
our nature.
The viewer is drawn by the
relationship of the viewer
of the piece into
the world of deprivations, inhibitions and boredom.
The viewer is drawn by the
extraordinarily refined aesthetic sensibility
of the work into
the world of graceful lissome curvilinear forms.
The viewer is drawn by the
essential identity
of the prototype into
the world of single-axis asymmetric soft,
closed signs with inner and outer crossings.
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