Pretentious Yet Pointless

	Pretentious Yet Pointless

Artist:	Aris, Sol
Medium:	Acrylics on virtual canvas
Title:	Randomly generated image 1133486650
Date:	Tue Oct 6 22:24:58 UTC 2026
Description:	Contrasts of night and day march across the expanse of this work. Such forms, serene and tranquil, create strong gestalt sensations. This doodle is quintessential to one of the central preoccupations of Sol Aris's art, the perception of the strangely twisted upward flying elements where the outstanding aesthetic sensibility to the piece is a division of space that parallels our innermost confusion. Contrasts of the senses of smell and sound march across the expanse of this image. An important part of this prototype is the dominant angularity and horizontality contrasting strongly with the impersonal forms and industrial colours so clearly visible. The world of salt and pepper of Sol Aris's other works are still present, but in a different form. The prototype shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The ornamented background indicates the pattern of unconscious thought. In this carving Sol Aris depicts the relationship between brightness and dark. A temporally evolving network, the essential identity of which remains unchanged, is always in a different form by the mere presence of the outer surface. An important part of this particular doodle is that it is a natural sense which belongs to the basic senses of our nature. A constantly changing glammerdummering, the scale and openness of which never changes, is always in a different form by the mere presence of the viewer. An important part of this carving is the impersonal forms and industrial colours contrasting strongly with the dominant angularity and horizontality to indicate the eternal contrast of Yin and Yang. In constructive colour theory, the visual phenomena of the unexplored world are, in themselves, empty: the important thing is feeling, as such. The endless curves are forever engraved in a glorious send-up of misery. Sol Aris has not described the title of this work. The viewer is drawn by the relationship of the viewer of the work into the world of red wine and ecstasy. A notable feature of the image is that it is the eternal contrast of Yin and Yang. ``This art, facing forwards and inwards, is of images of expectation and spiritual progress that are freighted with no historical context at all and which owe little to the appearance of observed reality.'' [Brian Keeble, on Cecil Collins, Temeno 11, London, 1990, p.114]
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