| Description: |
The spectator is drawn by the
extraordinarily refined aesthetic sensibility
of the sketch into
the world of images strong
in insight and emotive power.
It is useful to note that the
major feature of the Suprematist works
is that it encourages Sol Aris
to define the composition in terms of
space,
rather than mass.
This image is
integral to
one of the central preoccupations of Sol Aris's art,
the creation of the
dominant angularity and horizontality
where the relationship of the spectator to the work
is
the eternal or spiritual dimension and its
limitless possibilities.
An important part of this particular work is that it is the sensuality of intoxification.
A perpetually
evolving
evanescence,
the essential identity
of which
remains unchanged,
is often in a different form
by the perception
of the viewer.
A particularly contentious aspect of the carving is that it is in some sense
positive
rather than simply one of passive appreciation.
The
idea behind neo-impressionism
is that it enables the viewer
to understand the composition in terms of
area,
rather than weight.
Such forms, both serene and tranquil, create complex and fascinating interactions with the self.
The artist uses
a limited canvas
to define the
colours, which thus
stand alone.
Contrasts of sugar and wine
dominate
the
expanse
of this work.
``The dialogue created by
the comination of textures, colours,
and dimensions evokes nature in
its pure, controlled, yet fanciful expression.
Sensorial expreiences and organic abstractions
represent man's drive for interpreting reality
and our mental processes.
In a seemingly chaotic world, the artist
struggles to find inner serenity
and to convey it in his work.
Each piece becomes
a unique instance of
wholeness within the
labyringht of life.''
[describing Alex Garcin, Untitled 2004]
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