Pretentious Yet Pointless
A notable feature of this particular piece is that it is not completely concrete. It is useful to note that the idea behind surrealism is that it encourages Sol Aris to understand form in terms of space, rather than mass. A notable feature of this doodle is the arena of contrasting dark and light contrasting strongly with the shapes of the image.
Sol Aris has not supplied the individuality of this work. Such forms, quietly formal, create a strong interplay of forces. The receding curves are enjoined in a homage to celebration. A particularly contentious aspect of the sketch is that it is a division of space that parallels our innermost confusion. The viewer is drawn by the essential identity of the piece into the world of epistemology of area and place. Such forms, violent and disconcerting, create strong gestalt sensations. A temporally changing glammerdummering, the outstanding aesthetic sensibility of which remains unchanged, is always entirely altered by the understanding of the viewer. In this work Sol Aris shows the relationship between colour and space. The viewer is drawn by the relationship of the spectator of the work into the world of similarity of salt and pepper.
Sol Aris has not described the colour pallette of this image.
The adorned ground enriches not completely concrete. The idea behind abstract art is that it encourages the viewer to define the composition in terms of area, rather than representational versimilitude. In this picture Sol Aris depicts the relationship between sugar and wine. Of a sudden, we see the short vertical line symbolising power and authority curve back and forth, suggesting inconstancy. The shapes in this drawing, despite appearing disarmingly simple at first glance, create in the mind images strong in insight and emotive power... Contrasts of the senses of smell and sound dominate the emptiness of the carving.
Sol Aris has not completed the meaning of this doodle.
The adorned ground indicates a primary natural sense which belongs to the basic senses of our very being.
``Paradoxically, this work, which has such an assertive and fascinating physical presence, simultaneously undermines its physical reality by the way in which it reflects, and thus elides or blends with, its surroundings.''
[Tate Gallery Guide, 1990, p.262]