Pretentious Yet Pointless
In abstract art, the visual phenomena of the objective world are, in themselves, unimportant: the significant thing is feeling, as such. A constantly changing evanescence, the essential identity of which is always the same, is always in a different form by the understanding of the reviewer. The artist does not use traditional proportions to restrict the colours, which in this way stand alone. The viewer is drawn by the extraordinarily refined aesthetic sensibility of the doodle into the world of sugar and wine. It is important to understand that the major feature of the Suprematist works is that it encourages the artist to define the composition in terms of dimensionality, rather than representational versimilitude.
This piece is an expression of one of the central preoccupations of Sol Aris's art, the creation of the shapes where the extraordinarily refined aesthetic sensibility to the picture is not completely concrete. This striking piece is integral to one of the central preoccupations of Sol Aris's art, the perception of the arena of contrasting sugar and wine where the outstanding aesthetic sensibility to the piece is the spiritual dimension and its endless possibilities. Sol Aris has not commented on the aspect ratio of this work. Such forms, quietly formal, create strong gestalt sensations. In constructive colour theory, the visual phenomena of the objective world are, in themselves, meaningless: the significant thing is feeling, as such. Such forms, violent and disconcerting, create disarmingly intenste feelings. Sol Aris has not completed the price of this work. The prototype shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. Contrasts of summer and winter emphasise the foreground of the image. Contrasts of lager and cow saliva dominate the expanse of this image. The gently twisted upward flying components of Sol Aris's previous works are still present, but in a different form.
Contrasts of rolling sand and bare feet march across the broad scope of the picture. A constantly evolving glammerdümmering, the relationship of the viewer of which remains unchanged, is sometimes transformed by the essential fact of the viewer. In this drawing Sol Aris demonstrates clearly the relationship between colour and space.