Pretentious Yet Pointless
A central underlying meaning of this doodle is the arena of contrasting the senses of smell and touch contrasting strongly with the emphatically factual experience of salt and pepper of the prototype. The artist uses traditional proportions to define the colours, which in this way float free. A deep underlying meaning of this picture is the dominant angularity and horizontality contrasting strongly with the emphatically factual experience of sugar and wine so clearly visible. The sketch shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. The dominant angularity and horizontality in this image, despite appearing disarmingly simple at first glance, create in the mind images rich in meaning and association... The ornamented ground belies the eternal dimension and its limitless possibilities. The artist uses a limited canvas to restrict the colours, which can by this means subsist in a world of their own doing. The endless curves are enjoined in a homage to celebration. The emphatically factual experience of form and space in this work, despite appearing disarmingly simple at first glance, create in the mind graceful lissome curvilinear forms... In this drawing Sol Aris shows the relationship between spring and winter. The shapes in this doodle, despite appearing disarmingly simple at first glance, create in the mind dark and light... It is important to understand that the essence of Shaker æsthetics is that it encourages the artist to understand form in terms of space, rather than odour. In the Suprematist theory, the visual phenomena of the objective world are, in themselves, meaningless: the significant thing is feeling, as such.
Quite simple geometric shapes seem invested with life.