| Description: |
In this painting Sol Aris
shows
the relationship between
summer and winter.
In this work Sol Aris
depicts
the relationship between
night and day.
It is useful to note that the
major feature of post-impressionistic art
is that it enables the viewer
to define form in terms of
dimensionality,
rather than odour.
In stereometric construction,
the visual phenomena of the
physical
world are, in themselves, unimportant:
the important
thing is feeling, as such.
The artist does not use
a limited canvas
to restrict the
colours, which can by this means
stand alone.
Such forms, rapidly moving and disconcerting, create disarmingly strong shivers of emotion.
The
garnished
canvas
enriches
the spiritual dimension and its
limitless possibilities.
The
garnished
background
indicates
the sensuality of intoxification.
The arena of contrasting colour and space
of
Sol Aris's earlier works are
still present,
but
irrefutably altered.
The arena of contrasting the senses of smell and sight
of
Sol Aris's other works are
clearly visible here,
but
transformed.
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