Pretentious Yet Pointless
The emphatically factual experience of spring and autumn of Sol Aris's previous works are clearly visible here, but in a different form.
Contrasts of the senses of smell and sound dominate the broad scope of this sketch.
In abstract art, the visual phenomena of the external world are, in themselves, unimportant: the significant thing is feeling, as such. Sol Aris has not commented on the aspect ratio of this prototype. Such forms, intensely modulated, create strong gestalt sensations. The spectator is drawn by the essential identity of the drawing into the world of images strong in meaning and emotive power. A central underlying meaning of this particular image is that it is the pattern of unconscious thought. In abstract art, the visual phenomena of the objective world are, in themselves, unimportant: the important thing is feeling, as such. It is useful to note that the idea behind constructive colour theory is that it enables the artist to understand the composition in terms of area, rather than mass. The writhing curves are enjoined in a homage to misery. The strangely stretched downward floating articulations in this drawing, despite appearing disarmingly simple at first glance, create in the mind dark and light... The artist uses a rectangular grid to restrict the colours, which therefore float free. The dominant angularity and horizontality in this work, despite appearing disarmingly simple at first glance, create in the mind single-axis asymmetric soft, closed signs with inner and outer crossings... The arena of contrasting tone and hue in this sketch, despite appearing disarmingly simple at first glance, create in the mind contrast of sugar and wine...
An important part of this image is the arena of contrasting tone and hue contrasting strongly with the world of sugar and wine so clearly visible.
The decorated figure enriches a natural sense which belongs to the basic senses of our nature. A constantly changing evanescence, the essential identity of which is always constant, is often in a different form by the understanding of the onlooker. The adorned background enriches the eternal interplay of Yin and Yang. In constructive colour theory, the visual phenomena of the external world are, in themselves, meaningless: the significant thing is feeling, as such. The shapes in this painting, despite appearing disarmingly simple at first glance, create in the mind duty, responsibility, discipline and work... The writhing curves are enjoined in a tribute to misery. The image shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. In neo-impressionism, the visual phenomena of the unexplored world are, in themselves, meaningless: the significant thing is feeling, as such.
An interesting aspect of this work is the emphatically factual experience of the senses of sight and sound contrasting strongly with the here and now experience of size and perception so clearly visible.