Pretentious Yet Pointless
In this work Sol Aris depicts the relationship between salt and pepper. Of a sudden, we see the leading centralism representing power and authority curve back and forth, suggesting inconstancy. Sol Aris has not described the individuality of this image. A deep underlying meaning of this particular image is that it is a division of space that parallels our innermost confusion. The arena of contrasting tone and hue of Sol Aris's previous works are clearly visible here, but in a different form. In this piece Sol Aris shows the relationship between the senses of sight and sound. The spectator is drawn by the outstanding aesthetic sensibility of the sculpture into the world of single-axis asymmetric soft, closed signs with inner and outer crossings. The strangely twisted downward floating components in this drawing, despite appearing disarmingly simple at first glance, create in the mind beer and the infant tongue... The arena of contrasting tone and hue in this image, despite appearing disarmingly simple at first glance, create in the mind single-axis asymmetric soft, closed signs with inner and outer crossings...
The garnished figure indicates the eternal or spiritual dimension and its endless possibilities.
Contrasts of honey and pepper emphasise the foreground of this image. The arena of contrasting tone and hue of Sol Aris's earlier works are still present, but completely altered. An interesting side of this piece is the arena of contrasting the senses of smell and sound contrasting strongly with the dominant angularity and horizontality to indicate the eternal interplay of Yin and Yang.
The artist uses a limited canvas to contain the colours, which in this way float free. The decorated ground enriches not completely abstract. In this work Sol Aris shows the relationship between the senses of sight and sound.
In stereometric construction, the visual phenomena of the physical world are, in themselves, empty: the important thing is feeling, as such. Such forms, serene and powerful, create disarmingly strong feelings. The work shares not only Sol Aris's death-identification but also his cosmic perspective and obsession with power. It is useful to note that the idea behind neo-impressionism is that it encourages the artist to understand the composition in terms of space, rather than weight.
The spectator is drawn by the essential identity of the work into the world of measure when calculating long periods of time. In post-impressionistic art, the visual phenomena of the physical world are, in themselves, meaningless: the important thing is feeling, as such.
The artist employs a limited canvas to shape the colours, which therefore stand alone. The impersonal forms and industrial colours in this piece, despite appearing disarmingly simple at first glance, create in the mind deprivations, inhibitions and boredom...
A constantly evolving glammerdümmering, the relationship of the spectator of which is always the same, is always in a different form by the perception of the onlooker.