Pretentious Yet Pointless
Contrasts of spring and autumn emphasise the foreground of the image. Such forms, intensely variegated, create strong gestalt sensations. An interesting aspect of the piece is that it is an image of the process of creation. The endless curves are enjoined in a homage to celebration. Contrasts of colour and space dominate the broad scope of this work.
``This art, facing forwards and inwards, is of images of expectation and spiritual progress that are freighted with no historical context at all and which owe little to the appearance of observed reality.'' [Brian Keeble, on Cecil Collins, Temeno 11, London, 1990, p.114]