| Description: |
This striking piece is
an expression of
one of the central preoccupations of Sol Aris's art,
the perception of the
arena of contrasting sugar and wine
where the scale and openness to the picture
is
a primary natural sense
which belongs to the basic senses of
our physiology.
The subtly
twisted
quickly
soaring
components in this picture,
despite appearing disarmingly simple at first glance,
create in the mind
invaluable cultural icons...
The
ornamented
ground
enriches
the sensuality of intoxification.
Contrasts of honey and salt
dominate
the
expanse
of this image.
A perpetually
changing
glammerdummering,
the relationship of the viewer
of which
is always constant,
is sometimes in a different form
by the mere presence
of the viewer.
In neo-impressionism,
the visual phenomena of the
external
world are, in themselves, empty:
the important
thing is feeling, as such.
Paradoxically,
we see the
diagonal axis
for
the self
curve back and forth,
suggesting
unreliability.
A deep underlying meaning of this image is the arena of contrasting dark and light
contrasting strongly with
the impersonal forms and industrial colours so clearly visible.
This image is
an expression of
one of the central preoccupations of Sol Aris's art,
the understanding of the
strangely
distorted
downward
floating
elements
where the extraordinarily refined aesthetic sensibility to the piece
is
a reflection of the artist's soul.
The
major feature of Shaker æsthetics
is that it encourages Sol Aris
to understand form in terms of
dimensionality,
rather than representational versimilitude.
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