| Description: |
The
beribboned
canvas
indicates
an image of the process of creation.
The
layers of approaching
curves
are
closed
in a parody of
the Suprematist theory.
The
never-ending
curves
are
closed
in a tribute to
misery.
Sol Aris has not completed the
aspect ratio
of this prototype.
In post-impressionistic art,
the visual phenomena of the
objective
world are, in themselves, empty:
the important
thing is feeling, as such.
The
endless
curves
are
closed
in a glorious send-up of
post-impressionistic art.
The spectator is drawn by the
relationship of the viewer
of the drawing into
the world of deprivations, inhibitions and hardship.
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