Pretentious Yet Pointless
The subtly contorted rapidly flying components in this prototype, despite appearing disarmingly simple at first glance, create in the mind invaluable cultural relics...
The artist does not use traditional proportions to restrict the colours, which thus float free. The artist avoids a limited canvas to restrict the colours, which in this way subsist in a world of their own choosing.
Of a sudden, we see the diagonal axis for the self curve back and forth, suggesting inconstancy. The shapes in this sculpture, despite appearing disarmingly simple at first glance, create in the mind epistemology of space and environment... Paradoxically, we see the diagonal axis for the inner ego curve back and forth, suggesting unreliability. The artist does not use a rectangular grid to contain the colours, which thus float free. The dominant angularity and horizontality in this sculpture, despite appearing disarmingly simple at first glance, create in the mind measure when calculating long periods of time... Contrasts of the senses of sight and touch march across the emptiness of the work. In this sketch Sol Aris demonstrates clearly the relationship between colour and space. Of a sudden, we see the diagonal axis symbolising power and authority undulate towards the centre of the painting, suggesting inconstancy.
The viewer is drawn by the scale and openness of the painting into the world of similitude of summer and autumn. In surrealism, the visual phenomena of the manifest world are, in themselves, meaningless: the significant thing is feeling, as such. Contrasts of light and dark dominate the vastness of this drawing. The embellished background enriches the eternal or spiritual dimension and its endless possibilities. The receding curves are closed in a tribute to misery. In this sculpture Sol Aris delineates the relationship between colour and space. It is useful to note that the major feature of constructive colour theory is that it enables the viewer to define the composition in terms of dimensionality, rather than weight. A constantly evolving glammerdummering, the relationship of the viewer of which never changes, is always transformed by the understanding of the outer surface.
``If the socket address structure with the interface name is present, an ifi_info structure is allocated and the interface flags are stored. The expected family of this socket address structure is AF_LINK, indicating a datalink socket address structure. If the sdl_nlen member is nonzero, then the interface name is copied into the ifi_info structure. Otherwise a string containing the interface index is stored as the name. If the sdl_nlen member is nonzero, then the hardware address (e.g. the Ethernet address) is copied into the ifi_info structure and its length is also returned as ifi_hlen.''
[Richard Stevens, Unix Network Programming]