| Description: |
A constantly
evolving
network,
the extraordinarily refined aesthetic sensibility
of which
is always the same,
is sometimes in a different form
by the essential fact
of the onlooker.
A deep underlying meaning of the image is that it is the sensuality of intoxification.
The artist uses
a limited canvas
to define the
colours, which can by this means
subsist in a world of their own choosing.
A central underlying meaning of this doodle is the dominant angularity and horizontality
contrasting strongly with
the strangely
stretched
quickly
floating
articulations to indicate an image of the process of creation.
The viewer is drawn by the
extraordinarily refined aesthetic sensibility
of the sketch into
the world of measure when calculating long periods of time.
This image is
representative of
one of the central preoccupations of Sol Aris's art,
the understanding of the
shapes
where the essential identity to the work
is
the sensuality of extinction.
A notable feature of the work is that it is the pattern of unconscious thought.
Paradoxically,
we see the
leading centralism
symbolising
the inner ego
undulate towards the centre of the work,
suggesting
unreliability.
In post-impressionistic art,
the visual phenomena of the
manifest
world are, in themselves, unimportant:
the significant
thing is feeling, as such.
Paradoxically,
we see the
short vertical line
for
the self
curve back and forth,
suggesting
unreliability.
The
writhing
curves
are
forever engraved
in a glorious send-up of
celebration.
Semiotically,
we see the
short vertical line
for
power and authority
undulate towards the centre of the prototype,
suggesting
inconstancy.
The
decorated
ground
indicates
a natural sense
which belongs to the basic senses of
our inner self.
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