Pretentious Yet Pointless
The artist avoids a limited canvas to restrict the colours, which thus float free. This work is integral to one of the central preoccupations of Sol Aris's art, the understanding of the impersonal forms and industrial colours where the outstanding aesthetic sensibility to the painting is not completely abstract. The shapes of Sol Aris's previous works are still present, but in a different form. A temporally changing network, the outstanding aesthetic sensibility of which remains unchanged, is always in a different form by the essential fact of the outer surface. In this sketch Sol Aris demonstrates clearly the relationship between lager and beer. The writhing curves are closed in a homage to celebration. The artist uses traditional proportions to shape the colours, which in this way float free. The writhing curves are closed in a glorious send-up of neo-impressionism. The artist uses a limited canvas to contain the colours, which can by this means stand alone. Contrasts of night and day emphasise the foreground of the work. It is important to understand that the idea behind neo-impressionism is that it encourages the viewer to understand the composition in terms of dimensionality, rather than weight.